|
Post by Cryogenic on Jun 20, 2024 21:10:08 GMT
They're right, though. Anakin was clearly conceived as an older character, closer in age to Obi-Wan, when Lucas made the OT. Even when he started on the prequels, he went back and forth on whether Anakin should be nine or a few years older in Episode I. In the end, he made Anakin that shade younger, to bring maximum impact to Anakin leaving his mother. No-one can objectively look at that pasty-skinned, frail-looking Anakin in ROTJ, when Luke removes Vader's mask, and think, "Oh, he must have been a boy when he met Obi-Wan". Lucas would simply have cast another actor otherwise, instead of selecting Sebastian Shaw, a contemporary of Alec Guinness, who was pushing 80. Lucas has revised the "canon" of the Star Wars Saga along the way, essentially making it up as he went along. I'm a bit tired of people belittling the new people at Disney for changing a few things here and there. Who cares if Ki-Adi-Mundi was around 100+ years before TPM? Fucking dorks.
|
|
|
Post by eljedicolombiano on Jun 20, 2024 21:24:59 GMT
Matt Walsh is frankly an unbearable culture war pundit who seems angry all the time- why listen to him? I have no idea who this person is and let's say it in a haughty way: should I know him and why is he so important?! But my thesis is simpler: being narrow-minded can be achieved in different ways, including being a liberal (this is not some sort of vaccine to be opened to larger view as many people think today). Or conservative or centrist for that mstter. Anyway, the problem with narrow-mindness here is simple: why saying that SW was not good since the Reagan era? Why not since the 80ties or something? This is not even original because if the author thinks that the Reagan era is like Jurassic period for the cinema... well, guess what, is not, cinema is older. The irony is that Lucas made a series that was in the same time popular but like against the mainstream: the infamous "PT has too much CGI" is a typical example of the problem (and moreover, it is not true). He’s an American political commentator; to be honest I don’t know why he’s famous simply that I’ve seen some posts of him on Twitter and found him annoying
|
|
|
Post by jppiper on Jun 20, 2024 21:24:59 GMT
Cryogenic They didn't even get Silas Carson to reprise his role
|
|
|
Post by Cryogenic on Jun 20, 2024 21:37:40 GMT
I have no idea who this person is and let's say it in a haughty way: should I know him and why is he so important?! But my thesis is simpler: being narrow-minded can be achieved in different ways, including being a liberal (this is not some sort of vaccine to be opened to larger view as many people think today). Or conservative or centrist for that mstter. Anyway, the problem with narrow-mindness here is simple: why saying that SW was not good since the Reagan era? Why not since the 80ties or something? This is not even original because if the author thinks that the Reagan era is like Jurassic period for the cinema... well, guess what, is not, cinema is older. The irony is that Lucas made a series that was in the same time popular but like against the mainstream: the infamous "PT has too much CGI" is a typical example of the problem (and moreover, it is not true). He’s an American political commentator; to be honest I don’t know why he’s famous simply that I’ve seen some posts of him on Twitter and found him annoying He's famous because he's part of this wider culture wars thing going on right now. It looks like him joining The Daily Wire in 2017 helped bring him to a much bigger and much more receptive audience. In the last few years, he has become a big noisemaker in the 2020s anti-LGBT movement in the United States. For some reason, like the way black people were treated and regarded in much of the last century, transgendered people are seen by a large contingent of the United States' population (primarily those in the South and Midwest) as inferior, defective, and subhuman, whose movements should be controlled and whose very existence as equal citizens under the law ought to be constantly called into question. Like black people, they've been around in some form since the dawn of humanity, but religion and other primitive societal mechanisms and attitudes have essentially depersonalised them until recently, and now, some people are fearful and resentful that they should stand up for their rights or exist at all.
|
|
|
Post by Cryogenic on Jun 20, 2024 21:38:18 GMT
Cryogenic They didn't even get Silas Carson to reprise his role That would have been nice, indeed.
|
|
|
Post by jppiper on Jun 20, 2024 22:10:57 GMT
CryogenicThe Twitter post above had one person complaining about problems with continuity between the two trilogies (Leia remembering her mother Yoda being Obi-Wan's Master)
|
|
|
Post by Cryogenic on Jun 20, 2024 22:20:54 GMT
Cryogenic The Twitter post above had one person complaining about problems with continuity between the two trilogies (Leia remembering her mother Yoda being Obi-Wan's Master) I can't see the comments. I've never had a Twitter account.
|
|
|
Post by ArchdukeOfNaboo on Jun 21, 2024 0:46:26 GMT
Indeed, "Return Of The Jedi", which came out when Reagan had taken office, is often considered an inferior sequel.
Oh, not around here, it isn't. That "often considered" is public enemy no. 1 of Naberrie fields. Remember, that's the same dubious "often considered" you ripped to shreds in your investigation (during the Naboo News days) into the rigged Rotten Tomatos scores on the Prequels.
Trying to score political points over what US administration coincided with what Star Wars film is about as lame as it gets. Who gives a flying toss. And even if more good films tend to arrive on a conservative president's watch (which I think is probably true), it's hardly anything for a right-winger to boast about if one would care to understand the maxim art from adversity. So left and right are both wrong in their own unique ways.
|
|
|
Post by Cryogenic on Jun 21, 2024 3:41:19 GMT
Indeed, "Return Of The Jedi", which came out when Reagan had taken office, is often considered an inferior sequel. Oh, not around here, it isn't. That "often considered" is public enemy no. 1 of Naberrie fields. Remember, that's the same dubious "often considered" you ripped to shreds in your investigation (during the Naboo News days) into the rigged Rotten Tomatos scores on the Prequels. There are two problems with my earlier sentence (as quoted): i) I should have said, at a minimum, "...has often been considered an inferior sequel". Because opinions shift over time, and even in this very thread, just recently, I presented examples (based on a link jppiper supplied) of a bunch of Redditors scoffing at the idea that "The Empire Strikes Back" is the pinnacle of the saga and that the Original Trilogy would have been unsullied if it had ended there. ii) As you just indicated, it depends which cohort you're talking about. It is not an uncommon opinion that TESB is superior to ROTJ, even in the days of Lucas owning Lucasfilm and materials from Lucasfilm itself, but it's certainly not the only opinion. And yes, back in January 2019, I produced research on Naboo News that painted a different picture to the one often promulgated by fanboys and geek media outlets in the past, regarding the ratings/rankings of the prequels closer to their original time of release. I regret, at the least, not wording my sentence a bit more carefully with regard to the first point. I could easily have done that without the flow being disrupted. The general idea I was trying to convey was that Matt Walsh either alighted on the wrong film in his tweet (he was alluding to ROTJ but he might have intended to imply TESB), or he was trying to say that things were better in the 1980s (and that Lucas lost his touch after that). It's just a bit funny to see him indirectly praising a film like ROTJ, given the underlying tone of his tweet and the general bulk of content he puts out -- and who his general audience is. Well, since the turn of the last century, using this Wikipedia page as my reference, there have been thirteen Republican presidents and nine Democratic ones. Counting from POTUS #25 (William McKinley) all the way to POTUS #46 (Joe Biden), Republican presidents have served for a total of 24,836 days in office, while Democratic presidents have served a slightly lower total of 21,658 days. Far and away, however, Franklin D. Roosevelt, a Democratic president, served the longest term at 4,422 days. But this was also before ratification of the Twenty-second Amendment in 1951, which forbids any president from being elected to more than two terms. FDR was also the serving U.S. President for most of the 1930s and until the mid-1940s, and it was in the middle of his incumbency that the Hollywood studio system reached its apogee. The Wikipedia page on Classical Hollywood cinema suggests that 1939 may have been its peak year, with many classics such as "The Wizard Of Oz", "Gone With The Wind", "Stagecoach", "Mr. Smith Goes To Washington", "Young Mr. Lincoln", "Wuthering Heights", "Only Angels Have Wings", "Gunga Din", "Goodbye, Mr. Chips", et al. appearing. According to the same page, it was also in the late 1930s, in the opinion of many film historians and critics, that films of the sound era began to match the former quality of silent movies. So, if we re-do the calculations and count from FDR to Biden, then there have been seven Republican presidents and eight Democratic ones. On this slightly more compressed timescale, Republican presidents have served for a total of 14,610 days in office, while Democratic presidents have served a somewhat higher total of 18,736 days. It is more or less impossible to say, absent further data, what effect any given administration had on trends within American filmmaking, let alone the quality of films within a given period (which is, in any case, subjective). One would have to perform a far more comprehensive study to come up with persuasive results. All that said, a right-winger might actually argue that their ideas of how society ought to be structured, and their notions of right and wrong, would create the necessary levels of "adversity" required for decent art to appear. Many conservatives, of course, believe in some form of deregulation and a sort of free-market meritocracy, wherein becoming self-sufficient is supposedly the answer to life's woes (and is somehow possible within a predatory capitalist system), instead of an egalitarian society with -- in their view -- forced outcomes (a common battle-cry these days from the right: "equality of opportunity, not equality of outcome"). Yet, again, FDR was the President who enacted the New Deal: a major program of government intervention after the Great Depression. American cinema was clearly coming of age in that time period. That's not to say that FDR or his administration necessarily deserve credit for that, but it does kinda deflate Matt Walsh's ideological taunt that cinema and pop culture were somehow better when Ronald Reagan was the incumbent President, or that the Reagan/Thatcher era is an era that ought to be be repeated or emulated.
|
|
|
Post by jppiper on Jun 21, 2024 18:55:58 GMT
|
|
|
Post by Cryogenic on Jun 22, 2024 0:08:02 GMT
Pathetic tweet. Not playing this game anymore, Joe. Sorry.
|
|
|
Post by ArchdukeOfNaboo on Jun 22, 2024 15:46:17 GMT
You should reach out to him to comment on Ingram's thread on apathy towards Star Wars. Or indeed my one on whether Star Wars should still be made. We'd be happy to have his contributions.
|
|
|
Post by Cryogenic on Jun 22, 2024 16:38:40 GMT
You should reach out to him to comment on Ingram's thread on apathy towards Star Wars. Or indeed my one on whether Star Wars should still be made. We'd be happy to have his contributions. Well, if there's an interesting, considered take on the franchise, sure -- I'm up for that. We ourselves on Naberrie Fields not only have threads, as you just indicated, essentially circling around the same basic premise (i.e., that a big piece of Star Wars died on October 30 2012), but our boards are so arranged that the so-called "George Lucas" and "Disney" eras are recognised and accordingly divided-up as their own sections. So no issues there. My problems with the graphic basically come down to the following: i) Apparently holding some kind of "funeral" for a franchise, or even using that word, I think, are a bit melodramatic. We all accept that Star Wars is different now, and we're all dealing with that in our own ways, but on casual glance, this is just more Twitter flamebait. Maybe there's more to it, of course, but there's already a thousand different videos bashing Disney on YouTube as it is. At some point, you get to that proverbial moment of the straw breaking the kaadu's back. ii) Plenty of people giving Disney the middle finger do so from the rhetorical position of defending Lucas' legacy and/or lamenting the sale to Disney. However, this sometimes strikes a disingenuous note, because as you yourself have said before, a lot of these people were either gleefully bashing the prequels back in the day or using standard bashing talking points in any discussion of them, and we shouldn't just mindlessly let them off. Obviously, there are exceptions, but out-and-out support for Lucas and the prequels was very thin on the ground some twenty years ago. What was then an act of genuine defiance against a tyrannical majority is now some ridiculous purity shibboleth -- it's almost expected of you now. The Overton window has shifted and now it's not only safer to back Lucas in some imagined David vs. Goliath contest (mythologist vs. corporation), but a very easy lever to pull to indicate you're one of the "in"-crowd who understands real cinematic art vs. a dog's dinner of streamed content and a variety of focus group-approved pissing contests.
|
|
|
Post by stampidhd280pro on Jun 22, 2024 17:06:51 GMT
Yeah, there's really nothing notable about this tweet, but hey. At least you got us to say something, jpiper. Next time just poke us with a stick.
|
|
|
Post by Cryogenic on Jun 22, 2024 17:22:56 GMT
Yeah, there's really nothing notable about this tweet, but hey. At least you got us to say something, jpiper. Next time just poke us with a stick. I'm dying...
|
|
|
Post by ArchdukeOfNaboo on Jun 22, 2024 18:08:09 GMT
ii) Plenty of people giving Disney the middle finger do so from the rhetorical position of defending Lucas' legacy and/or lamenting the sale to Disney. However, this sometimes strikes a disingenuous note, because as you yourself have said before, a lot of these people were either gleefully bashing the prequels back in the day or using standard bashing talking points in any discussion of them, and we shouldn't just mindlessly let them off.
Well, my point there was that a lot of these people critiquing Disney may not necessarily be genuine Prequelists. We should be very cautious about allying with people who have a record of bashing Lucas and take them to task on whether Star Wars really ended in 2012 rather than 1983. Gore - if you'll spare me the indulgence of profiling - looks like he was part of the OT fanboy crowd. If he's changed his mind on the PT simply to spite Disney then he's hardly one of us. After all, tearing apart wishy-washy prequel "approval" is something of a new raison d’être for our forum.
At the same time, I reject the notion that we're in some repeat of the 2000s where we were the prey. Context is important; we were never the pets of a geek media ecosystem who megaphoned our viewpoint and ridiculed our opponents, while the critics of the films were. The fans of the Sequels, by contrast, had the media behind them all the way to the third instalment meltdown in 2019. Indeed, it was the same media that had told us - encouraged by the RLM reviews and with barely concealed support from Lucasfilm - that TFA was righting the wrongs of the Prequels. It was hardly a wonder then that prequelists like Subtext were incensed by Disney so early on. So they started that fight, not us, and they have never apologised for their bad behaviour towards the PT, including to a few of the actors.
I'm hardly someone who bashes Disney for the sake of it. I've defended the Obi-Wan series, even as the tide turned against me on our thread. And yet, as Ingram has elaborated, something feels very stale and formulaic about the current regime.
Just because we were in the minority then, doesn't mean we have to automatically take the side or switch allegiances to the minority one on another debate. If more people become Prequel fans then that's a sign of our hard work paying off, not a call to abandon because it's not hipster enough any longer.
|
|
|
Post by Cryogenic on Jun 22, 2024 20:13:46 GMT
ii) Plenty of people giving Disney the middle finger do so from the rhetorical position of defending Lucas' legacy and/or lamenting the sale to Disney. However, this sometimes strikes a disingenuous note, because as you yourself have said before, a lot of these people were either gleefully bashing the prequels back in the day or using standard bashing talking points in any discussion of them, and we shouldn't just mindlessly let them off. Well, my point there was that a lot of these people critiquing Disney may not necessarily be genuine Prequelists. We should be very cautious about allying with people who have a record of bashing Lucas and take them to task on whether Star Wars really ended in 2012 rather than 1983. Chris Gore [the person who tweeted] - if you'll spare me the indulgence of profiling - looks like he was part of the OT fanboy crowd. If he's changed his mind on the PT simply to spite Disney then he's hardly one of us. After all, tearing apart wishy-washy prequel "approval" is something of a new raison d’être for our forum. That was exactly my suspicion and why I was so brief in my initial response. It's one thing if Matt Walsh wants to bang a silly drum that "good" Star Wars ended with ROTJ. It's quite another if someone like Chris Gore wants to pretend that Star Wars ended in 2012, with the sale to Disney, but was never a fan of anything much beyond the OT anyway. Huh? Where did I say we were the prey? The prey of whom? You're right that the 2000s were a different situation. Prequel fans are no longer slandered and ridiculed -- at least, not to anything like the degree they used to be. However, believe it or not, some sequel fans are now in a similar situation in some places, being accused of everything from liking bad movies and enabling Disney to their being told they are apologists for fascism and mass murder. It always comes down to whoever holds the megaphone; or, even more crudely, the person with the biggest hammer. Thugs and bullies tend to be the people who dictate the conversation, in the short term, at least.
"...like Subtext [Mining]". And what about little ol' Cryo? He was only kicked off TFN, don't forget, for criticising Disney and some of the new people at Lucasfilm. Subtext has posted some witty and pithy putdowns of Disney, but I definitely helped dislodge the boulder that has since slid down the mountain and caused a fair bit of noise.
Well, you're certainly not shy when it comes to airing your opinions about the sequels...
And that's just the thing: we're all critics of Disney in our own way, and pretty strong fans of George Lucas, too, but we're not all alike. Yet we are loosely bonded by our appreciation for the prequels: a firm and consistent appreciation that goes beyond memes or happening to just "like" the prequels as okay pieces of escapist entertainment.
I knew someone would jump on that. I mean, to criticise myself, who says they were even a majority? More like a loud and irritating minority (the persistent ones, who kept going on about how terrible the prequels were on message boards, anyway). Yet the general point I was making was that it was harder to stick up for Lucas and the PT not too long ago, and now, not only is it way easier, it's a means of earning credibility within certain crowds. Nobody has to be a minority for the sake of it. It's probably a bit better for the soul, however, to stick up for the underdog and minority causes, especially if you actually like those underdogs and believe in those causes.
Also, I've been at this gig for the better part of twenty years. There's no law inscribed in stone that says I have to keep defending the prequels -- or that anyone else must do so, for that matter. It's a very played-out pastime for some of us: a pastime that became a vocation that turned into an obsession. Some of us are probably preparing to move on.
It's not even the same thing anymore. It's not even clear if the prequels even have the same artistic merit they used to. It's a provocative question, perhaps, but can a work of art be considered to have exactly the same power, truth, and relevance if the artist responsible hands it over to a slaver corporation, especially when that artwork contains warnings about corporations and collectives and a distrust of codes and the commodification of life? Lucas handing Star Wars over to Disney is roughly the equivalent of his spilling a big bottle of wine over his fresh painting because he bumped into the table whilst running to catch a winning Powerball ticket that he just saw float past his window.
|
|
|
Post by jppiper on Jun 25, 2024 4:07:55 GMT
|
|
|
Post by jppiper on Jul 18, 2024 19:58:36 GMT
|
|
|
Post by jppiper on Aug 9, 2024 19:30:01 GMT
|
|